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Interviews    Dragon Green
by Chris Barnes

Fans of the heavy riff "we don't need no stinkin' vocalist" approach of bands such as Karma to Burn (RIP) or Hostile Apostle will bust a nut over the ultra tight, sledgehammer jams of Allentown, PA's Dragon Green. Add the success of their Emissions from the Green Sessions CD and their reputation for raging, multimedia live shows, the 'Green is not to be missed. Hellride Music's Chris Barnes talks to guitarist Mike Clancey.



Hellride Music:
So the word is that you guys walked out on your time slot for the NJ Metalfest. I've heard those things are pretty much a waste of time. 20 minute sets on two stages separated by a curtain. That in of itself is fucked-up. That Jack Koshick or whatever his name is, seems to be pretty much a douche bag. So anyway, back to the question....how come you guys walked out?

Mike Clancey: - What a joke that thing is. You know that 50% or more of the bands at that thing pay $1000 to play. So imagine what I had to sit through before our time came to play (if you have an extra $1000 sitting around spend it on music lessons, and you won't have to pay to play.), and what makes these bands even worse is the fact that they have no sound check, so it's just start playing and we'll try to figure out where each microphone is placed while you're playing, so when you're watching these bands all you can hear is each separate instrument getting louder and quieter, it's just an unorganized mess, but hey if you don't run it like that, Jack Koshick might have to work this year, yep, time is money. Anyway, So I'm not taking notice that everyone is using the same gear on stage, so our time comes to play and we empty our whole trailer full of gear (roughly 3500 pounds of equipment) up to the stage door. The "Stage Manager" comes out and says, "you can't bring all that in here." What???? You mean I got up at 5:something AM to come out here to play through some Line 6 amplifiers and a nine piece super metal drum kit. No! A lot of people went to bat for us to try to ask Jack to let us use our own stuff but it wasn't going to make him any money and the "Stage Manager" might have had to get up off his ass and stop eating for a few minutes. Fuck that thing, We all went through a lot to collect all the gear we have, it's a big part of what Dragon Green is and I'm not compromising that for anything, if I had know that we were using anyone else's equipment I wouldn't have even been there, all was not lost though I got to see great sets by 5ive and Bongzilla, I just stood real close to the stage so I didn't have to hear the PA destroy it. That guy has no interest in anything but money and how much of it he can make. You know what he did to... uh... it was either Blitzkrieg or Diamond Head or maybe both, he was supposed to arrange accommodations for these guys while they were there and I guess he was like getting them around and stuff while they were here. Well, once the show was over he just decided well I'm done here and he just left them stranded at Asbury Park convention center. Manowar wouldn't even take a check from him, they demanded cash before they played, I guess they know already.

Hellride Music: Your new CD "Emissions from the Green Sessions" is doing pretty damn well. Congrats. What's more amazing is that it's doing well and there's no friggin' vocals on the thing! What's the story behind that?

Mike: Thanks. Well, we never found a vocalist and we weren't going to sit around and wait for one so we just started playing without one.


Hellride Music: Tell us about the vocalist you just hired. He's from Stillwater right? The band from Almost Famous? Keep him away from the acid.

Mike: The vocalist that we just hired and then immediately quit? Not that Stillwater, him and I had another band before this called Stillwater, but he flaked out of that band too, no big deal though, we've done it for along time without vocals and it's worked, we really don't feel like going through the hassle of trying find anyone else anymore. We work well together the way it is and we're used to it that way, you'll start hearing our voices on the Dragon Green stuff once we get comfortable with it. But we be keeping vocals very subtle, here and there, I want the main focus to be on the music.

Hellride Music: I've also heard that you guys will be recording soon with the new vocalist...will any of the tunes on "Emissions..." make it on there, but with vocals added?

Mike: Some of the songs will most likely be re-recorded again and those will definitely have vocals on them.


Hellride Music: Your live show is said to be exceptional. You've got a multi-media thing going on in addition to the action on the stage. Whose idea was this and who developed this? Tell us a bit about it?

Mike: I've wanted to have a visual element to the band mainly because we're fat and ugly and no one wants to look at us. This way we can hide in the shadows. I think it adds to whole idea of the band just another way to mess with your head. Mike Ireton is the guy who actually is responsible for running all the films and does all the developing of the whole visual end of things. We hunt down old films and he cuts them all up and makes reels out of them, it's a few layers thick with slides on top of film, there's a lot going on. I couldn't think of a way to explain it, you really have to see it.


Hellride Music: What are your thoughts on Aerosmith? No real reason for asking this. I just saw a commercial for some MTV special on them. To me, they should have called it a day after "Rock in a Hard Place" to maintain any integrity, but I don't know shit. What do you guys think?

Mike: Aerosmith definitely had some rocking tunes in the early days, I guess I don't have much of an opinion on it, I don't really listen to it so if they're happy still doing it and there's obviously a market for it then rock
on, yeah it's crap, but I don't have to listen to it, thank god for "off" buttons.


Hellride Music: In honor of ScottGEG, I have to ask, have you ever seen eel porn?

Mike: Sure have. I delivered pizzas for a while when I was in High School (like 10 years ago.wow) I was delivering one time and I went in this house and there's these kids sitting around the TV laughing at some guy trying to screw a chicken. So at some point it got to a chick trying to stick an eel in her, I think it was dead though.

Hellride Music: What kind of gear do you guys use anyway?

Mike: Matamp, Sunn, Mesa Boogie, Ampeg, Gibson.


Hellride Music: Infernal Ed - slave driver or messiah? How did Dragon Green hook up with Infernal Records anyway?

Mike: I met Ed when I was back in Stillwater. He's helped us out A LOT. The Emissions from Green CD was just something that we had recorded really quickly before we went to play Emissions 2. He really liked it and wanted to put it out, so he did and it has been doing a lot for us. Have to credit Mick too, he's the other guy at Infernal Racket, he's done a great deal for us too.

Hellride Music: What's coming up for the band in 2002?

Mike: Recording a song next week for an Echo Relations compilation called Tripping The Light Fantastic Vol.1 . "Turning Stones", the first song off the CD is being used in some Western "?" movie being made in New Mexico.
We'll be playing shows around the east coast through mid June after that we'll start recording for the duration of the summer then we'll be hoping to just do some touring after that.

Hellride Music: Cool! Thanks for the interview... anything else you'd like to say to finish this off?

Mike: Thanks for letting me babble. You can check out Dragon Green online at www.dragongreen.com Sorry if you actually read all this.


Read the Hellride Music review of Emissions from the Green Sessions

Purchase Emissions from the Green Sessions at the Hellride Music Super Store

Listen to a Real Audio sample of Marker's

 

Copyright HellrideMusic.com
Copyright 2002 HellrideMusic.com

Interview by Chris Barnes