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Interviews    Buffalo
by Chris Barnes

Crave raw, heavy rock riff and massive stoned musical passages? Argentina's Buffalo may be right up your alley. The brainchild of former Natas bassist Claudio Filadoro, Buffalo is raw, unpretentious HEAVY rock n' roll harnessing the energy of early Metallica with subtely and mind-expanding properties of Pink Floyd. I was lucky enough to get Claudio's ear for a spell and he was kind enough to answer.


Hellride Music: Como va eso! Hello Claudio, hope things are well for you and thanks for doing the interview. I'm very impressed by Temporada De Huracanes - very raw, recorded in analog, heavy as hell and sprinkled with some excellent jams and Pink Floyd-types of interludes. I'm sure a lot of people know you were once the bass player in Natas (or Los Natas as they are now called) and even more people would like to know what made you leave that band. So please tell us. How did Buffalo form and whose in the band?

Claudio “Pastor” Filadoro: OK, let's see, a few months before I left Natas, the name "Buffalo" was ringin' in my head, maybe as a way to think of me leaving the circle. At this time I had some ideas that later became Buffalo songs. Basically I left the band because I had some personal differences, not in the music, the musical connection was always right every time we gathered to play, but I disagreed with the way that they proceeded sometimes... Anyway, I keep seeing the guys and probably Buffalo and Natas can share the stage soon (We'll play together 8/8/2003 in Buenos Aires)

My new pals are Alfredo on drums, his is a great drummer... he use to play in Taura, another one of the scene brothers that rocks bigtime. They're re-recording the first album now - and Javier on bass, a Zepplin fan that helps me a lot to keep the sounds glued. He used to play in Stonerwitch.

Hellride Music: This is a very obvious question, but who had influenced the Buffalo sound? Was the first track on Temporada... a tribute to those that have influenced you and the rest of the band?

Claudio: That's right, I listen to a lot of music. I can't imagine a day of my life without music. It's impossible to name all the influences I have, but I will try... from the early jazz of Coltrane, to all the Sabbath stuff with Ozzy, passing through Led Zepplin, Deep Purple, Hendrix... I love Whitesnake (old and new) and I personally like the good southern rock of the Allman Bros and Skynryd, much of the ZZ Top stuff, Foghat, 80's pop and hard rock, Iron Maiden.

My favorite band was, is, and always will be Metallica. I also love the Cro-Mags, Danzig, The Misfits, Slayer, Kyuss, The Gathering, Massive Attack, all Zakk Wylde stuff and I can continue but it will be a huge list. Alfredo likes almost the same shit, but he likes all the killer rock bands and Javier enjoys listening to some jazz and and 70's stuff from the local scene.

Hellride Music:
Part of the reason you left Natas was to write your own songs.... how many of the songs on Temporada... are written by you and how many with the other members of the band? Will the other guys get more of a chance to write in the next record?

Claudio: All of the songs on this record were written by me, but the reason is that I wrote most of the stuff before I made the call to the guys. They'll all have chances to write new shit, that's for sure. We are a band, no bosses. Actually we got a few new songs written by the entire band. Anyway, I used to compose full songs, but we arrange them together.

Hellride Music:
I was in Buenos Aires about two years ago, where the viejitas from Dragonauta showed us around, shared their mate' and tuca' with us and hipped us to bands like Pappo's Blues, Orion's Beethoven, Creuvo (I think that's how you spell it) and El Reloj. How many of those bands have you heard and what do you think?

Claudio: I've heard all these bands, but I don't like all of them. I think there were 3 or 4 very good bands that were so far beyond the rest like Pappos Blues, Pescade Rabioso, Invisible and Vox Dei.

Hellride Music:
Yes!! Vox Dei.... I forgot about them .... incredible! How are things in Argentina these days? Is the situation getting better? Many young people have left the country recently I've heard. How has the recent events in your country effected the music scene? What other bands are up and coming in your country?

Claudio: Sometimes it's kind of difficult to say, it has a lot to do with your personal point of view. I'm not happy with our situation, but I have a plate of food on my table everyday and I should be thankful for that. But if you talk about music or art in general, the situation is very difficult. You have to sacrifice yourself too much to have your own equipment and even a decent instrument. Some time ago, when our money (Argentinean peso) was equal to the U.S. dollar, it was easier to get your own stuff like guitars, amps, etc. Right now it is almost impossible to do that. That's how our scene is affected by the economic situation. And the fact that a lot of young people are leaving the country is because they want to what they like and not work in a fast food restaurant.

Hellride Music:
Wow. Things have really changed since I was there. Let's get back to talking about the CD... was it your idea to put the multimedia section on the CD? It worked out very well.... did you design it as well?

Claudio: It was an idea that we talked about for a long time and we realized that is wasn't that hard to accomplish and we thought it would make the album more interesting.

It was team work, I took care of the shooting (when I'm not in the scene!) and I edited the clips. Hugo from the record company helped me a lot with that and our friend Nancy helped us a lot with the CD-ROM stuff. She's like the official designer of our art department.

There are not many bands doing this in Argentina, maybe because they think it's a hard thing to do or maybe they don't have the people that can help them. It would be great if they tried to do this stuff.

Hellride Music: Tell us about the recording of Temporada De Huracanes. Where was it recorded? It appears you used analog recording equipment so I imagine this must have been muy caro? What equipment was used and is the same equipment you use on stage?

Claudio: Actually, when we began the recording, we didn't know that is would end in an album. We decided to to it in the middle of the recording process. At the same time that we decided to create our record label - "Dias De Garage Records" - which is us mixing our strength with Jedbangers magazine (An Argentinean magazine edited by Hugo Garica). So far, things are going pretty good, so we planned to keep working with bands we like.

The recording was in our rehearsal room, so it was really less expensive than you might think. Also you have to remember that it just took two days to record all these songs. But I like the way it turned out.. And I think that a good quality sound would not replace a good song and if you don't think so, take a look at a band like the Misfits. ;-)

In the recording, we use different equipment than our live shows. In the studio you can search for some colours that maybe in the live show would be too hard to get. You know that an album is going to be there forever, on the other hand, the live thing is always changing according to your level of how grown up the band is.

All the guitars were recorded with Ampeg and Marshall heads and Marshall bass and guitar amps. The bass was recorded with Ampeg valvular heads and Ampeg amps. The drum set was a mix of Mapex and Pearl with big bodies....
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Hellride Music: Have you always played guitar? Was it difficult to make the change from bass to guitar?

Claudio: I always played guitar and that's how I started, so it wasn't difficult at all to adapt myself to play guitar because I've never stopped playing it. It's the instrument that fits the best with me, and the best one when it comes to writing a song.

Hellride Music: Do you have a favorite cut off the album? If so why?

Claudio: I love the album from the very beginning to it's end, really. But I have my personal favourite: "El Peregrino" or "Rio Arriba". Both songs seem excellent to me - two punch as an opening number and shows you how the the album will be. I also love "Dormido Al Volante", maybe because it was the last song I composed for this album and it's closer to our new songs than the others.

Hellride Music: I see. Well I'd like to thank you for the interview, doombeta! Any last words for the Hellride readers and Buffalo fans?

Claudio: Gracias Hellride Music!!! Thanks for giving us this space. And for the Buffalo fans and those who will be fans soon, I would like to invite them to listen to this album. If you are into rock, it will not let you down. I hope that in the not so distant future, you will be able to listen to our new songs that are going to record really soon. If you ask me to define our stuff, I would say that it's like a freight train hitting you right in the face! Gracias y Paz (Thanks and Peace).


Purchase Temporada De Huracanes at the Hellride Music Superstore

Download and MP3 of Rio Arriba

Read the Hellride Music review of Temporada De Huracanes

Visit the Buffalo website at www.bffl.com.ar

 

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Interview by Chris Barnes 6/27/03